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If Carrie truly strove to investigate what that means for us today, and not just update De Palma's treatment, who knows how much power Carrie would truly have. A religious extremist convinced that sex and reproduction are evil, Margaret is sure her that her child is evil, too, but she ultimately cannot bring herself to kill the baby. On one level, it determines which beloved classics will get remade at all. To copy or not to copy — that is the undying question at the heart of Hollywood.
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Instead, as she told The New York Post , she focuses on "King's characterization of Carrie, her mother, and the girls, and to Carrie's response to being bullied. And be sure to follow the Girls on Film Twitter feed for additional femme-con. In this treatment lies the power the remake failed to employ. But it is not, as the director says, taken completely from the book rather than De Palma's movie. Rather than tapping into the zeitgeist that would bolster the bloody horror with that visceral tendril of reality, the film dodges it and lets the fear be superficial and familiar. It can be found at TheWeek.
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Girls on Film is a weekly column focusing on women and cinema. But from there, the film largely adheres to De Palma's original. In a culture where the Steubenville rape victim didn't know she was assaulted until she saw proof of it on social media sites , it begins to seem less absurd when Carrie's classmates laugh at her blood-covered body and the video that began the torment. The tale is decades old, but Carrie still touches on ongoing, hot-button topics like sex education, female bodies, and bullying.
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